If you were at our October meeting, you’ll have noticed that our door prize table was filled with some great stuff. Thanks to Karen Beisel for doing such a great job. The most valuable things on the table were two Wacom tablets. If you’re not familiar with these things their used for editing. These two were valued at around $280 each. Blake Rudis of f64 Academy, recently published an article and video about why we use tablets for post processing. Now Blake is one of the most talented post processing educators around, he’s one of those guys that enjoys post processing more than shooting. At the end of his video, he tells us which tablet he’s using and why he prefers it to all the others he’s had. He got this one on Amazon for $29. If you think you might want to try a tablet, this seems like a good way to start. Blake’s article is titled “The Best Pen and Tablet for Photoshop” and you can find it here.
https://f64academy.com/best-pen-tablet-photoshop/
Several of us were out in Maine recently and it was a rich shooting environment with lots of water and great clouds. A great way to tame both of those elements is by taking long exposures. Here’s an article and video by Greg Benz titled “How to get silky smooth water and clouds with long exposure photography”
https://gregbenzphotography.com/photography-tips/how-to-get-silky-smooth-water-and-clouds-with-long-exposure-photography
One of the things I like to shoot is smoke. I find it amazing the shapes that you can find when you capture a segment of the stuff just drifting up in the air. I’ve covered it before in the newsletter, but this article covers some different aspects of shooting smoke and when it’s cold outside, you really need something to shoot inside where it’s warm. This article is by Chelsea O’Neill and it’s on the Picture Correct web site. The article is titled: “Smoke Photography Photoshop Tutorial”.
https://www.picturecorrect.com/tips/smoke-photography-photoshop-tutorial/
One of Lightroom and Photoshop’s most powerful tools is the adjustment brush. I find I use it on every single image I work on. Here, Chris O’Donnell brings us two extensive tutorials That run almost an hour and a half. It’s more of a class than a tutorial. It’s found on Chris’ Creative Raw site and is titled “Steps for Smoother Brushwork in Lightroom and Photoshop.”
https://creativeraw.com/key-smoother-brushwork-lightroom-photoshop/
I love color. I’ve made no secret about it. I usually find B&W images boring with a lack of impact. No offence intended to the B&W photographers, that’s just me. I see in color; I think in color; sometimes I think is see in HDR which can be really colorful. The danger of color is oversaturation. It can become very unrealistic. (Not as unrealistic as B&W which has no color. When was the last time you’ve seen something like that?) A couple of days ago, Blake Rudis published a tutorial titled “How to fix over saturated photos in Photoshop”. Now Blake is formerly a painter and is extremely well versed in color theory. Sometimes his explanations make your eyes glaze over. But while he gives you the theory behind this technique, he also gives you an Action to download for use in photoshop. This action makes the technique pretty idiot proof. I said earlier that I had just got back from Maine. I finally finished my edits and showed my wife. She thinks every picture I make is over saturated. (personally, I think she sees in pastel colors). I ran everything through this action that Blake created and only two of my images were slightly saturated on a couple of spots. I felt vindicated, science has proved me right. Anyway, if anyone’s interested you can see my Maine pictures at https://billmueller.smugmug.com/Maine-2019/. Let me know if you think their over saturated. You can find Blakes article here:
https://f64academy.com/fix-saturated-photos-photoshop/