October 2018 – Hyperfocal Distance, Depth of Field, Landscape, Focus Mode, Gear, Vanishing Point
One of the things we do in landscape photography is to try to get everything we can in focus. We want it sharp in the foreground, at the midpoint and all the way out to infinity. One of the ways to guarantee this is to calculate the hyperfocal point for each of your lenses. Once you know that distance and focus on it, everything from half the distance from the camera to the hyperfocal point to infinity will be in focus. It takes a little time to get your head around it but this article by Jeremy Myers on Picture Correct does a good job of making it as simple as possible. The article is titled “Hyperfocal Distance Photography: Calculations & Focus. There are also lots of apps available that you can put on your smart phone that will let you calculate it in the field. I just checked on the Google Play Store and there were 10 of them. Several were free.
https://www.picturecorrect.com/tips/digital-slr-cameras-hyperfocal-distance-focus/
After you’ve mastered hyperfocal distance and can get everything in focus, now you need to be able to get only a little bit in focus. Here’s an article on Creative Raw titled “Eight Ways to be Creative with a Shallow Depth of Field”
https://creativeraw.com/create-shallow-depth-field-landscape/
As long as we’re talking about focus, let’s talk about how you should choose the right focus mode on your camera. There’s lots of options, One Shot or AF-Single mode, AI Servo or AF-Continuous Mode or AI Focus or AF-Auto Mode. Here’s a short article on Picture Correct by Paul Summers that explains it all. It’s titled “How to Choose the Right Focus Mode on Your Camera”
https://www.picturecorrect.com/tips/how-to-choose-the-right-focus-mode-on-your-camera/
Here’s an article that Jim Pierson brought to my attention that’s helpful to new photographers and is something that even the most experienced of us needs to remember. It’s by Stacey Hill on the Digital Photography School and Titled “Why Your Camera Gear Doesn’t Matter”. It’s the Photographer. Nobody ever says to a great cook, “That was a fantastic meal, you must have great pots”.
https://digital-photography-school.com/why-your-camera-gear-doesnt-matter/
Have you ever wanted to add something to a photograph but the perspective of the two images doesn’t match? Here’s a great article by Colin Smith in the Photoshop Café that makes the whole process almost idiot proof. It’s titled “How to Combine Layers in Perspective Using Photoshop with Vanishing Point”
https://photoshopcafe.com/combine-layers-perspective-using-photoshop-vanishing-point/



